Old Gold: Galaxy 764

September 26th, 2008

Little Johnny Taylor – Sometimey Woman
Sometimey Woman by Little Johnny Taylor

Well, it’s exactly a month since my last blog post. I’ve actually been on a two week holiday in that time – after spinning some discs with my good pal Leo the Amateur at a spectacularly soggy Bestival on the Isle of Wight. The sun came out for a substantial time of our DJ set and everyone danced and whooped - and the holiday was ace so all in all, it’s been a great month.

So here I am, back infront of a computer and it’s time for a long overdue slab of old gold from my record box – in the form of Little Johnny Taylor’s Sometimey Woman from 1968. I’m a big fan of what I’ve heard thus far of Little Johnny Taylor (not to be confused with Johnnie Taylor, previously featured on this blog) and have a growing stack of his singles but this was the first one I found.

Record Shop Love: Carmel Records, Southend

August 26th, 2008

Shopfront portrait
Owner of Southend’s Carmel Records, Paul Despy. Image copyright Dean Chalkley 2008

You know when you have a particular place, a place that acts as a meeting point for you and your mates, a special place that defines your character? Well, for me, Carmel Records in Southend is just that place – writes photographer and DJ Dean Chalkley.

Paul Despy took over this long thin store from Peter Eden (one time manager of Donovan) back in 1983 – which, as it goes, was the year I first walked through the door of this special shop.

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1983 was a year that Northern Soul, Mod, 2-Tone and Jazz were all vying for the coolest status on the street – yes, I am referring to the mean streets of Southend, where I grew up. This was before the loved-up, tolerant days that came after house and techno. And this was a tribal town: the chances of getting your head kicked in was high. And in this tempestuous time Paul’s shop was our harbour and sanctuary. My mates and I were staunch mods at the time and we, in our youthful arrogance I suppose, considered ourselves as ‘the faces’. We probably deserved a good kicking!

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There was a lot of local record dealing going on back then, trades in clubs and round people’s houses. You might hear a track in a club spun by local DJs Chad and Del and then the next week you might see their copy of said tune in Paul’s shop as they like to shift stuff in and out. Never standing still, their collections became liquid gold. Chad and Del were Mod royalty, chaps that we all really aspired to be, the absolute ace faces in town.

People came from far and wide and the reputation of the shop grew and grew – not least because of Paul’s knowledge and ability to suggest just the right stuff that you had never heard before but drooled over instantly.

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I used to save my dinner money by living off 50p bowls of custard in order to have enough money to buy a 45 at the end of the week. I’ve lost count of how many times I’ve gone into the shop and tried to sing a track to Paul: “Yeah, you know it goes ‘derderder der da derderder der’…”.

By 85/86 the Rare Groove DJs became regular features in the shop on a Saturday. Gary Dennis, one of the main fellows of this scene, always seemed to be there and that protagonist of the Acid Jazz movement, Snow Boy would often pop in, on the look out for crazy Latin obscurities….

The little shop’s décor has never changed over the years though. Loads of cuttings depicting bands like the Kinks and the Who, playlists from northern DJs and pictures – like the one of Jim Morrison with a dog – still hang where they were stuck whenever they arrived: Carmel Records is an authentic time capsule. Of course today the internet allows Paul to sell stuff on eBay and other market sites but the shop remains a long galley of exotic pleasure. To me the smell, the visual excitement of the cuttings and albums on thin shelves running down either side of the store, the pure visceral thrill of walking into the shop makes visiting a real treat – and that’s before you get to listening to your favourite new tune that Paul is about to suggest to you, or the album or 45 you’ve just seen and realized you must have in your collection…

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Specialities here are, as always, great Soul tunes, R&B, R’n'R 60’s and Psyche and a whole array of other good stuff, from Willie Mitchell to John’s Children, from Bo Diddley to Mongo Santamaria.

Paul tends to open in the afternoons now, Monday to Saturday but its worth calling ahead to avoid any disappointment. You’ll bloody love it!

Carmel Records (01702 338593)
281a London Road,
Westcliff-on-Sea,
Essex,
SS0 7BX

All images and text in the above blogpost are the property of Dean Chalkley 2008. Dean has just started a brand new monthly musical shindig called SHAKE! at The Boogaloo in Highgate which takes place the 1st Saturday of each month. His first guest DJ to join him behind the decks was Paul Despy of Carmel Records. If you like Get Involved or Gerry’s Joint, you’re gonna love Dean’s SHAKE!

Old Gold: Lose Your Money

August 21st, 2008

The Moody Blues – Lose Your Money
Lose Your Money by The Moody Blues

This is another record I picked up in Hastings the other weekend from Rick’s Records. I know this song because the Ron-Dells covered it - and I first heard their version on the brilliant It’s Great Shakes blog. So when I saw this, the original version of Lose Your Money by The Moody Blues from 1964, I had to grab it. I’ve never actually seen this London middle before either… The song was originally released on Decca F11971 as the B-side to Steal Your Heart Away. It sounds a bit like Van Morrison hooked up with the Rolling Stones and got really drunk in the studio…

Largest Record Collection EVER! Oh, and it’s for sale…

August 20th, 2008


The Archive from Sean Dunne on Vimeo.

So there are a few of us with a groaning spare room full of vinyl. I heard that DJ Andy Weatherall has a spare HOUSE full of his records. I’d imagine that Mr Scruff, Gilles Peterson and Norman Jay and various other longtime DJs and collectors have similar record collection scenarios…

But these guys aren’t putting their entire collections up for sale. Unlike a certain Paul Mawhinney from Pittsburgh, Pennsylvania, the owner of, allegedly, the world’s largest record collection. Mawhinney is putting his treasure trove of around two and a half million records up for sale for a very cool $3 million. A paltry sum compared to the whopping $50 million his collection is estimated to be worth.

Mawhinney’s been collecting most of his working life and when he’d acquired around 60,000 records, his wife told him he either sold them / got rid of them or set up a shop (to sell / get rid of them). So, he set up Record-Rama and traded records, making sure to keep a copy of everything that came into the shop – meaning he actually acquired more records at a faster rate than ever before - DOH! Check out the above film by Sean Dunne of Mawhinney’s incredible record-collecting story.

(Link: hypebeast - thank you Mr Huglife for bringing this to our attention)

Bobby Darin’s Song For A Dollar

August 20th, 2008

Scorpio Sounds / Bobby Darin

I was recently perusing some online record stores for some new sounds and came across this 45 from Scorpio Sounds. I’m not sure who’s behind this label but I do know that this isn’t the only 45 they’ve put out with slept-on nuggets from back in the day. They seem particularly interested in that country-got-soul sound and highly sample-able drum sounds. This record’s got two great tunes on it (Alan Shelly’s funky organ monster, Dance Together is on the A side) but, for me, it’s all about Bobby Darin’s Song For A Dollar on the flip, which originally appeared on Direction 351 in 1969.

Here’s a sample for your ears:
Song For A Dollar sample

I grabbed a copy from Fat City’s website.

Jerry Wexler R.I.P.

August 16th, 2008

Jerry Wexler R.I.P.

Jerry Wexler, who as a reporter for Billboard magazine in the late 1940s christened black popular music “rhythm and blues”, and who as a record producer helped lead the genre to mainstream popularity, propelling the careers of Ray Charles, Wilson Pickett, Aretha Franklin and other performers, died yesterday, Friday 15 August, at his home in Sarasota, Fla. He was 91.

The New York Times has written a comprehensive and fitting obituary, a tribute to one of Soul music’s founding fathers. Read it here.

Tonight’s session of Gerry’s Joint at The Boogaloo will be dedicated to the late, great Wexler.

Rest in peace.

Old Gold: Ponie 6063

August 13th, 2008

Jack Scott – Go Wild Little Sadie
Go Wild Little Sadie by Jack Scott

Was down in Hastings at the weekend to hang out with friends and soak up the carnival. Of course I popped in to Rick’s Records in the old town for a bit of a dig. I picked up six 45s and Rick only charged me a tenner - what a gent! Among the bits was this seven by Jack Scott. I’m not sure why I felt I should get it but instinct often guides my record-buying exploits…

This 45 was actually pressed in 1978 – on Scott’s own label, Ponie, and it brings together two brilliant recordings he made for Carlton in 1958. Go Wild Little Sadie was originally released on Carlton EP7/1073: Starring Jack Scott and the flip, LeRoy, originally appeared on Carlton 462. Both tunes feature killer sax breaks… If you listen close, you’ll hear Scott yelling “Blow it Gerry!” Which leads me to remind y’all that it’s Gerry’s Joint up at The Boogaloo this Saturday, where Roo and I will be dropping old rockabilly and r’n'b and soul bombs all night. Go wild!

Check the flip too: LeRoy

Get Involved: TONIGHT!

August 7th, 2008

Get Involved August 2008 poster

Everything that needs to be said about tonight’s Get Involved session is on the wonderful poster above – created for us by the lovely Rose Stallard. If the text is a bit small, I’ll paraphrase for you: Special guest DJs Leo the Amateur and Disgracie are joining Gav behind the decks to deliver a selection of tunes that will make the hairs on the back of your neck stand up, your mouth grin, your feet dance and your brain wonder, “what, in the name of all that is brilliant, is this wondrous melody?”

Oh, one thing to note: there’s an album launch party at The Social early doors so Get Involved shenanigans begin around 8.30pm (rather than 7pm) tonight. Got a bag of maracas and tambourines to dish out too. Come and get involved!

Old Gold: Immediate 011

August 4th, 2008

Barbara Lynn – You Can’t Buy My Love
You Can’t Buy My Love by Barbara Lynn

Immediate was one of the hottest British indie labels during its brief but memorable five years of activity between 1965 and 1970. Set up by Rolling Stones manager / producer / self-proclaimed “Godfather of Hype” Andrew Loog Oldham and business partner Tony Calder, the label was home to the Small Faces, The Nice, Chris Farlowe, The McCoys and Barbara Lynn (to name but a few artists on the roster). It also released the first singles by Rod Stewart and the original line up of Fleetwood Mac…

This is the label’s eleventh single release, Barbara Lynn’s You Can’t Buy My Love from 1965 - which I picked up in JBs for a few quid - would have been more except for the fact that it looked a bit like it had been used as a doormat at some stage. However, it doesn’t play badly at all considering. I love this track for loads of reasons - the sentiment of the lyrics, the deadpan way they’re delivered by Lynn, the “here it comes, baby” and of course, the heavy tambourine shaking throughout… Get involved!

Further reading: Immediate Records by Simon Spence, Black Dog Publishing, £19.95

Old Gold: Derby 101

July 23rd, 2008

Johnnie Taylor – Dance What You Wanna
Dance What You Wanna by Johnnie Taylor

During a recording career that spanned nearly half a century, Johnnie Taylor (1934-1999) covered more genres of African-American music than any other major artist. His earliest sides, in 1953, were with The Five Echoes, a Chicago doo-wop group. In 1955 he joined the Highway Q.C.’s, a Chicago gospel quartet in which both Sam Cooke and Lou Rawls had previously sung lead. Then, in 1957, he joined the Soul Stirrers, filling a role in the famous gospel quartet previously occupied by Sam Cooke. Taylor then recorded blues and soul music with limited commercial success for Cooke’s SAR and Derby labels from 1961 to ‘64. He signed with Stax Records in 1966 and over the next nine years scored a dozen Top Ten R&B hits. His biggest seller came at Columbia Records in 1976 with Disco Lady which topped both the Pop and R&B charts and became the first-ever single in record industry history to be certified platinum.

This particular track, Dance What You Wanna was penned and produced by Cooke and released in 1963, shortly after Taylor had spent a few months touring as a preacher. No matter what manner of material he wrapped his elastic low-tenor pipes around, Taylor was a song stylist of remarkable consistency and breathtaking authority – according to the biography that Stax records provided website SoulTracks.com. He considered himself a “salesman” of songs, said biog goes on. “A song is a song,” Taylor explained. “If you sing ‘Jesus’ or if you say ‘baby,’ it’s basically melodically the same. I think anything that makes people happy is good, anything that takes people’s minds off their problems.” So do we, Johnnie. So do we…